Like Dante, then, Strayed is on a spiritual journey, beginning in damnation, bound for deliverance. That makes Wild a redemption narrative — and that, in turn, helps explain its popularity, because redemption narratives are some of the oldest, most compelling, and most ubiquitous stories we have. We enshrine nature writing in the canon — you were probably assigned Thoreau and Emerson et al. in high school — but it is redemption narratives that dominate our culture. Among other things, you can hear them in religious services all across the land and in AA meetings every day of the week.
Wild embodies this ancient story. Or, more precisely, it embodies the contemporary American version thereof, where the course is not from sin to salvation but from trauma to transformation: I was abject, dysfunctional, and emotionally shattered, but now I see. This version has more train-wreck allure than the traditional one (being…
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